Frequencies & Tuning

New Equations Frequencies

Through years of research, New Equations correlated nine frequencies with the nine Soultypes. These specific New Equations Frequencies™ are always used when New Equations Music is composed. Unlike the A440 standard used for most recorded music, these frequencies are tuned to specific hertz that create vibrations in the music, helping bring one’s spirituality and physicality into closer alignment.

Discovering THe Frequencies

In July of 2007, New Equations connected with Wesley H. Bateman, a scientist and mathematician who had discovered and studied a set of nine frequencies.

Bateman had been studying the mathematical formulas of the universe and the Great Pyramid in Egypt since 1975. He was known for his connection to beings throughout the universe and was a consultant and resource for screenwriter/producer Gene Roddenberry, who incorporated Bateman’s knowledge into the Star Trek television and movie franchise.

Bateman not only uncovered the mathematics the ancient Egyptians used to build the Great Pyramid, but also found calculations that showed that the structure of the Great Pyramid is tuned to nine particular frequencies, and that these frequencies resonate with the physics of nature and the spirituality of the universe.

New Equations co-founders Siska Tovey and Alan Sheets connected Bateman’s research to their own and found that those nine frequencies also related to the human body and the Soultypes. This discovery created the foundation for the development of New Equations Music.

Soultype 1 - top of throat - 424.9 Hz
Soultype 2 - solar plexus - 423.2 Hz
Soultype 3 - top of sternum - 424.1 Hz
Soultype 4 - lower abdomen - 422.3 Hz
Soultype 5 - top of head - 426.4 Hz
Soultype 6 - center of sternum - 424.0 Hz
Soultype 7 - lower forehead - 425.6 Hz
Soultype 8 - sacrum - 421.6 Hz
Soultype 9 - between shoulder blades - 423.8 Hz

Pythagorean Tuning

New Equations Music is always recorded using Pythagorean tuning. Pythagorean tuning uses ratios from the overtone series based on the ratio of 3:2, also known as a perfect fifth. It has its origins in ancient Mesopotamia and Egypt and is closely connected to the spiritual wisdom of that time. This system remained the standard tuning method until the 16th century.

When music is played using Pythagorean tuning, the human body can resonate with it in a natural way. This is because the harmonic ratios of overtones are the same as those that occur in nature.